EVOLVE

0_X_  OY_EVO  _  E     ^^^ 1 0 _X_  UO  _EV  L_VE     ^^^^ ^^^0  0 __ U Y _ VO L_ V  ^^^/ 0_X_UO Y_  E V _VE  _X_U O  _EVO L_VE     ^^^1  0_X_UOY_ E OL_VE  ^^^0  ^^^/  _X_UOY _VOL_ VE ^^^1  0 _X _ UO Y_ EV O_VE 0 _X_UO Y _EVO L_V     ^^^0  0 _X_UOY _EVOL _E ^^^/ ^^^1  _UO Y_ E VOL_VE     ^^^0  0_X_UOY _EVO L_E  0_X_UOY_EVOLVE ^^^/  0_X_OUY_VEOL_VE     ^^^1 ^^^0  0_X_UYO _E VOLVE   ^^^/  {I}  0 _X _YOU _EV OLVE  X_0_ LOVE _EVO L_VE {I}      ^^^1      I_LOVE_YOU_X_0_

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MISSING X

\   67X67X67                                                     67X67X67       X6767X67                                                   X6767X67          X67X6767                                           X67X67X67             X67X67X67                                     X67X67X67 X67X6767                                X67X6767 X67X67X67                         X6767X67 X67X67X67                   X67X6767                         67X67X67             X67X67X67 X67X67X67       X6767X67               X67X67X67 X67X67X67 ANGEL X67X67X67 676767 X67X67X67        X67X67X67 X67X6767              X6767X67 X6767X67                     67X67X67 X67X67X67                           X67X67X67 X67X67X67                           X67X67X67 X67X67X67                                       67X67X67 X67XX67                                                     67X67X67 X67X67X67                                                   X67X67X67            X67X6767                                                          X67X6767
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NOTE 01

NOTE 01

{TEXT}_ Linear poetry incorporating glitch, brutalism, and Ma. Glitch: symbols, skipped spaces, stuttering. Brutalism: architectural truth. Ma: the importance of the space between things.

{CONCRETE)_ Visual-first arrangements. Emphasis on blocks and repetition over representational shapes.

{ERASURE}_ Original travel photography processed into black and white. Digital eraser and touch-up tools applied to simulate melting, breakage, or incompleteness.

{AUDIO}_ Anderhill. Long-term project bridging ambient, experimental, drone, and noise. Elements: disintegration, glitch, counterpoint. Stand-alone or accompanying erasures and poetry.

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1-7

  1_2__3___4____5_____6______7_______
  1_2__3___4____5_____6______7_______
        2__3___4____5_____6______7_______
                3___4____5_____6______7_______
                         4____5_____6______7_______
                                    5_____6______7_______
                                                 6______7_______
1_2__3___4____5_____6______7_______
1_2__3___4____5_____6______7_______
2__3___4____5_____6______7_______
3___4____5_____6______7_______
4____5_____6______7_______
5_____6______7_______
6______7_______

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A & I

A & I

we got both kinds here_
a$$-holes & yidyots^
what* the difference?
the former treat driving
like a comp-e-tit-shun_
the latter-rrr so slow
they soon be being
scraped up scraps
after v—v-vultures
cross the finish^

both kinds_
I* not sure which is worse^

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MORTAR

MORTAR

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
CKBLOCKBLOCKBLO$$KBLOCKBLOCKBLOC$$BLOCKBLOCKBLOCK
KBLOCKBLOCKBLOC$$BLOCKBLOCKBLOCK$$LOCKBLOCKBLOCKB
BLOCKBLOCKBLOCK$$LOCKBLOCKBLOCKB$$OCKBLOCKBLOCKBL
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
LOCKBLOCKBLOCKB$$OCKBLOCKBLOCKBL$$CKBLOCKBLOCKBLO
OCKBLOCKBLOCKBL$$CKBLOCKBLOCKBLO$$KBLOCKBLOCKBLOC
CKBLOCKBLOCKBLO$$KBLOCKBLOCKBLOC$$BLOCKBLOCKBLOCK
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
KBLOCKBLOCKBLOC$$BLOCKBLOCKBLOCK$$LOCKBLOCKBLOCKB
BLOCKBLOCKBLOCK$$LOCKBLOCKBLOCKB$$OCKBLOCKBLOCKBL
LOCKBLOCKBLOCKB$$OCKBLOCKBLOCKBL$$CKBLOCKBLOCKBLO
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
OCKBLOCKBLOCKBL$$CKBLOCKBLOCKBLO$$KBLOCKBLOCKBLOC
CKBLOCKBLOCKBLO$$KBLOCKBLOCKBLOC$$BLOCKBLOCKBLOCK
KBLOCKBLOCKBLOC$$BLOCKBLOCKBLOCK$$LOCKBLOCKBLOCKB
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
BLOCKBLOCKBLOCK$$LOCKBLOCKBLOCKB$$OCKBLOCKLOCKBOX

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